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How Alita: Battle Angel Brought Its Crazy Motorball Sequence To Life
Robert Rodriguezs Alita: Battle Angel is a very faithful adaptation of its beloved source material, but it does make one notable change. Borrowing an element that isnt introduced in the manga until closer to the middle of the series, the film introduces audiences to the violent sport known as motorball: a deadly, dangerous game played by cyborgs at high speeds.
Its an interesting addition not only from a visual effects perspective, but also in the movies storytelling and I felt compelled to ask about it when I interviewed Robert Rodriguez, star Rosa Salazar, and producer Jon Landau during the movies domestic press day in Los Angeles earlier this month.
Sitting down with the trio in a recreation of one of the sets from the movie, my first question was about the introduction of motorball to Alita: Battle Angel and the challenges of bring it to life and Robert Rodriguez opened by saying that there was a mix of positives and negatives within the execution. In the case of the former, for example, the film doesnt actually feature any full scenes of the sport being played, so that took a bit of narrative weight off their shoulders and allowed the production to have a bit more fun with it:
It wasn't in the two books that [James Cameron] was adapting into the script, but he pulled it out of book three and four. He said, 'I think fans of the manga would be really upset if they got an Alita movie and there's no motorball. And he found a really cool way to use it where they're not even playing the game; they're all just trying to kill her - which I thought was awesome because then it's more character driven.
Writing the script, James Cameron handed Robert Rodriguez a pretty handy shortcut that avoided a sequence dedicated to explaining the rules of motorball but that was just one item taken off of a still very full plate. Just because there was no need for an exposition dump (one that notably didnt actually exist in the manga either) didnt mean that the filmmakers didnt have to still figure out the mechanics of the sport, and that process created its own special issues.
As an example, the director explained how even figuring out how fast the characters needed to go was a process with hurdles. While the Alita: Battle Angel source material did provide some guidance, the practicalities of filmmaking required a few alterations in the physics department, which then themselves required further alterations in other areas. Rodriguez explained,
I did a bunch of speed tests really early on, just with some animatics in Austin, trying to figure out how fast they really needed to be going so that it would feel fast because it was always described as being like a 100 mph. Which, you know, when you put it on a track, because the track doesn't have a lot of discernible visuals, it just didn't seem fast enough. So it's more like 400 mph just to get it, and that means right away we're out of track, so we had to just keep elongating the track. There's a lot of cheats in there to get the feeling, this breathless feeling of the track.
Of course, just because Robert Rodriguez and James Cameron didnt fully outline the rules of motorball in the making of Alita: Battle Angel doesnt mean that theyve cast the task aside permanently. While the making of this movie didnt make that job a requirement, Rodriguez added that its something that would certainly be done for a sequel:
Because the story point was just that they were trying to kill her. We can just throw that out the door and go, 'Okay. As long as it feels like there's some sport being played, we don't really have to figure it out in this movie. We will eventually!
As for the performance perspective, the majority of the professional motorball sequence is primarily brought to life with pure visual effects but that doesnt mean that Rosa Salazar was totally sidelined for the experience. Obviously she wasnt strapped to any kind of machine that would whip her around at 400 mph, but there were particular parts in the making where her talents were required.
Speaking to her work on the motorball scene, Rosa Salazar noted that the work was a bit more fractured, but could highlight the moments her involvement (primarily involving close-ups and dialogue) with Robert Rodriguez chiming in to add an extra detail.
Rosa Salazar: Here's the thing - there were specific moments during all of those motorball battles that we actually shot separately. When he's trying to push my head into the ground and I break... a couple of different moments. Obviously right before I bust through the glass at the starting line, 'Take it easy on me, guys.' Taking off. All of those things were shot.Robert Rodriguez: We had a start line where all of them were together and she could actually interact with everybody. Even though all their bodies were going to be replaced, we still had to photograph all of their faces.
You can watch Robert Rodriguez and Rosa Salazar discuss the process of bringing the motorball sequence to life by clicking play on the video below:
If youre now totally pumped to see this insane action on the big screen, the good news is that you can do it right now. Alita: Battle Angel which has Rosa Salazar joined by an outstanding cast including Jennifer Connelly, Christoph Waltz, Mahershala Ali, Ed Skrein, and more is now playing in theaters everywhere. Well have plenty more about the film coming your way in the next few days as it fights its box office competition during the Valentines Day weekend, and be on the lookout for more behind the scenes stories.
For more of whats coming to a theater near you in the weeks and months ahead, be sure to check out our 2019 Release Calendar.
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Sitting down with the trio in a recreation of one of the sets from the movie, my first question was about the introduction of motorball to Alita: Battle Angel and the challenges of bring it to life - and Robert Rodriguez opened by saying that there was a mix of positives and negatives within the execution.
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I did a bunch of speed tests really early on, just with some animatics in Austin, trying to figure out how fast they really needed to be going so that it
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Sitting down with the trio in a recreation of one of the sets from the movie, my first question was about the introduction of motorball to Alita: Battle Angel and the challenges of bring it to life - and Robert Rodriguez opened by saying that there was a mix of positives and negatives within the execution.
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Robert Rodriguez's Alita: Battle Angel is a very faithful adaptation of its beloved source material, but it does make one notable change. Borrowing an element that isn't introduced in the manga until closer to the middle of the series, the film introduces audiences to the violent sport known as motorball: a deadly, dangerous game played by cyborgs at high speeds.
Battle Angel Brought Its Crazy Motorball Sequence To Life
Alita: Battle Angel is a 2019 American cyberpunk action film based on the 1990s Japanese manga series Gunnm (known as Battle Angel Alita in the English translation) by Yukito Kishiro. Directed by Robert Rodriguez , the film is co-produced by James Cameron and written by Cameron and Laeta Kalogridis .
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Robert Rodriguez's Alita: Battle Angel is a very faithful adaptation of its beloved source material, but it does make one notable change. Borrowing an element that isn't introduced in the
How Alita: Battle Angel Brought Its Crazy Motorball Sequence
How Alita: Battle Angel Brought Its Crazy Motorball Sequence To Life 4 months ago Robert Rodriguez's Alita: Battle Angel is a very faithful adaptation of its beloved source material, but it does make one notable change.
How Alita: Battle Angel Brought Its Crazy Motorball Sequence
Battle Angel Brought Its Crazy Motorball Sequence To Life
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